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The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream.
In either case, as was natural, the main burden of the song consisted of invocations of blessing and predictions of happiness, interrupted from time to time by the ancient chorus of Hymen o Hymenaee. Among the Romans a similar custom was in vogue, but the song was sung by girls only, after the marriage guests had gone, and it contained much ...
The play has three brief epilogues. The first is introduced with a reprise of the theme of the "Wedding March" and the fairy music of the overture. After Puck's speech, the final musical number is heard – "Through this house give glimmering light" ("Bei des Feuers mattem Flimmern"), scored for solo soprano and women's chorus. Puck's famous ...
An example of a perfect fourth is the beginning of the "Bridal Chorus" from Wagner's Lohengrin ("Treulich geführt", the colloquially-titled "Here Comes the Bride"). Another example is the beginning melody of the State Anthem of the Soviet Union. Other examples are the first two notes of the Christmas carol "Hark!
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...