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In addition, the same bellows are used for a certain size across all series, so changing format within a series is also possible. For example, the bellows used for all 4×5 cameras is coded 452.11; changing any 4×5 camera to a 5×7 camera would require a new bellows (452.17) along with an appropriate rear standard, frame, and film holder.
The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25x4.25 inches (8.3x10.8 cm)), 5×7 inches (12.7x17.8 cm), and 8×10 inches (20×25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and Master View cameras ...
Professional-quality, saturated vivid natural colors for nature, landscape and travel photography. (RVP 100) 135 & 120 (T base), sheet film 4x5", 5x7", 8x10" (P base). Discontinued; 5x7" (2013), 220 (2015), 8x10" (Europe/USA). In 2021 All formats were discontinued in the US due to the presence of minuscule quantities of a chemical banned by the ...
The Speed Graphic was available in 2¼ × 3¼ inch, 3¼ × 4¼ inch, 5 × 7 inch and the most common format 4 × 5 inch. Because of the focal plane shutter, the Speed Graphic can also use lenses that do not have shutters (known as barrel lenses). [4] Using a Speed Graphic, especially with the rear shutter system, was a slow process.
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Frame numbers are the numerical values given to the frames. Frame numbers typically begin at 1 with the forward-most frame for US-built ships, and typically begin at 0 with the transom for ships built elsewhere, with numbers increasing sequentially towards the stern or bow, respectively. The total number vary per the length of a ship.