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Aesthetic dress of the 1880s and 1890s carries on many of the external characteristics of Artistic dress (rejection of tightlacing in favour of simplicity of line and emphasis on beautiful fabrics), even though, at its core, Aestheticism rejected the moral and social goals of the Victorian dress reform that was its precursor.
The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where two of the main proponents were the writer Oscar Wilde and his wife Constance, both of whom gave lectures on the subject. In 1881 The Rational Dress Society was ...
Some credited the change in silhouette to the Victorian dress reform, which consisted of a few movements including the Aesthetic Costume Movement and the Rational Dress Movement in the mid-to-late Victorian Era advocating natural silhouette, lightweight underwear, and rejecting tightlacing. However, these movements did not gain widespread support.
Before women acquired a more prominent role outside the home, a more traditionally Victorian, restrained, and modest style of dress dominated. However, during the 1870s and 80s, the Aesthetic Movement led to a shift in behavior, with some women using fashion as a method of defying traditional domesticity and claiming agency. [9]
Princess-line walking dress (left) and hunting costume (right) from La Mode Illustrée, 1880. Summer dresses of 1882 show Aesthetic influence in the small-scale floral prints. The straw hat frames the fashionable frizzled hair. Front and back views of a traveling coat, c. 1880–81
The shimmering, goddess-esque Schiaparelli dress paired with the big, bold, almost aquatic treasure-of-Atlantis diamond Tiffany necklace gives her the allure of a modern mermaid, especially given ...