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The B.B. King Museum and Delta Interpretive Center opened on September 13, 2008. The museum features a restored brick cotton gin building where B.B. King worked in the 1940s. The museum also contains an extensive collection of artifacts owned by King and displays exhibits about his life and the lives of other musicians of the delta region and ...
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending , shimmering vibrato , and staccato picking that influenced many later electric guitar blues players.
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A reviewer of The New Yorker stated "All in all, it’s a bracing, gratifying reminder of why King is in the pantheon." [9] Milo Miles of NPR commented "One Kind Favor stands alone, however, in reaffirming King's unique power as a star and venerable performer. More than any other icon, King is about the music and not himself.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago.Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men.
"Sweet Little Angel" (Riley King, Jules Taub) "Never Make a Move Too Soon" (Stix Hooper, Will Jennings) "Into the Night" (Ira Newborn) "Ain't Nobody's Bizness" (Porter Grainger, Everett Robbins) "The Thrill is Gone" (Rick Darnell, Roy Hawkins) "Peace to the World" (Trade Martin) "Nobody Loves Me But My Mother" (Riley King)
The song was included on King's debut album Singin' The Blues in 1957. [ 4 ] "You Know I Love You" is noted for being the song that 17-year-old Tina Turner sang for Ike Turner at the East St. Louis nightclub Manhattan Club in 1957, which convinced him to let her sing in his band the Kings of Rhythm .
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.