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The following outline is provided as an overview of and topical guide to the history of painting: . History of painting – painting is the production of paintings, that is, the practice of applying paint, pigment, color or other medium to a surface (support base, such as paper, canvas, or a wall) with a brush, although other implements, such as knives, sponges, and airbrushes, can be used.
An artist's statement (or artist statement) is an artist's written description of their work. The brief text is for, and in support of, their own work to give the viewer understanding. As such it aims to inform, connect with an art context, and present the basis for the work; it is, therefore, didactic, descriptive, or reflective in nature.
The history of Korean painting has been characterized by the use monochromatic works of black brushwork, often on mulberry paper or silk. This style is evident in "Min-Hwa", or colorful folk art, tomb paintings, and ritual and festival arts, both of which incorporated an extensive use of colour.
The word "art" is therefore both a verb and a noun, as is the word "painting". Work of art – aesthetic physical item or artistic creation. A painting is a work of art expressed in paint. One of the arts – as an art form, painting is an outlet of human expression, that is usually influenced by culture and which in turn helps to change ...
A portion of the history of painting in both Eastern and Western art is dominated by religious art. Examples of this kind of painting range from artwork depicting mythological figures on pottery , to Biblical scenes on the Sistine Chapel ceiling , to scenes from the life of Buddha (or other images of Eastern religious origin ).
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Inspired by ancient Greek and Roman art, the classical history paintings of the French artist Nicolas Poussin (1594–1665) and the ideas of the German writer Anton Raphael Mengs (1728–1779) and the German archaeologist and art historian Johann Joachim Winckelmann (1717–1768), Neoclassicism began in Rome, but soon spread throughout Europe.
As an artist, architect, poet and philosopher, he revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition ...