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According to GloRilla, at the time he called, she "was on the toilet and gonna get my lashes done". Hitkidd requested that they create a summer anthem that the "girls can chant". They soon met at the studio. GloRilla requested to step out to smoke some Backwoods, and then came up with the lyrics, "I'm F-R-E-E, fuck nigga free". Within 30 ...
Mods Carve the Pig: Assassins, Toads and God's Flesh is the second album by Kalamazoo-based progressive metal band Thought Industry. It was released in 1993 on Metal Blade Records and featured cover art from the Apotheosis of Homer by Spanish surrealist Salvador Dalí. Mods is the final Thought Industry release to include co-founder Dustin ...
All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival. The cover is a visual joke showing the band in a bare room.
The Modernaires from The "Mods" Salute Herb Albert and The Tijuana Brass Lead vocal Autie Goodman Columbia Records (1966) The Temptations - from The Temptations in a Mellow Mood (1967) Agnaldo Timóteo (in Portuguese: "E Agora") Richard Tucker with Gilbert Bécaud - from Richard Tucker's album What Now My Love (1966) [121] Stanley Turrentine ...
"Sicko Mode" (stylized in all caps) is a song by American rapper Travis Scott featuring Canadian rapper Drake, with additional vocals from fellow American rappers Swae Lee ...
UK Grim is the twelfth studio album by English post-punk band Sleaford Mods. It was released on 10 March 2023 on the Rough Trade Records. [1] Production was handled by Andrew Fearn. It features guest appearances from Florence Shaw (Dry Cleaning) and Perry Farrell and Dave Navarro (Jane's Addiction). [2]
Sleaford Mods are an English post-punk music duo, formed in 2007 in Nottingham. The band features vocalist Jason Williamson and, since 2012, instrumentalist Andrew Fearn. [ 7 ] They are known for their abrasive, minimalist musical style and embittered explorations of austerity-era Britain , culture, and working class life, delivered in ...
The lyrics were adapted by Marc Shaiman to suit the occasion – such as "And, John, I know you're getting anxious to close". [6] Ida Lupino performs the song in the 1948 film-noir Road House. Jane Russell performs the song in the 1952 film-noir Macao. [7]