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Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Andrea Mantegna's late-Quattrocento ceiling fresco in the Camera degli Sposi (commissioned by Ludovico III Gonzaga for Mantua's Ducal Palace) is an early example of illusionistic ceiling painting. The art of Late Antiquity famously rejected illusionism for expressive force, a change already well underway by the time Christianity began to affect ...
The light and shadow on the edge of the window define the angle of the light. The suggested authorship of this early-16th-century portrait [clarification needed] includes Ridolfo del Ghirlandaio, Mariotto Albertinelli and Giuliano Bugiardini. The painting combines many of the lighting effects of the other works in this gallery.
The Fall of the Giants is a full room fresco from floor to ceiling done by Italian Renaissance artist and architect Giulio Romano. Romano worked on the room from 1532 to 1534. [1] It is located in the Palazzo de Te, Mantua, which was also designed and built by Romano. [1] It was created for his patron Federico II Gonzaga, the Duke of Mantua.
The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV , for whom the chapel is named.
Giulio Clovio, Adoration of the Magi.Double page from the Book of Hours of Cardinal Farnese, 1537–1546, Pierpont Morgan Library, M.69 (fols. 38v-39).. Renaissance illumination refers to the production of illuminated manuscripts in Western Europe in the late 15th and 16th centuries, influenced by the representational techniques and motifs of Renaissance painting.