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KlikFilm Productions, Merpati Film KlikFilm [9] Enam Batang: Eman Pradipta Angela Gilsha, Omar Daniel, Ersya Aurelia Romantic Drama KlikFilm Productions, Canary Studios, RK23 Pictures [10] Ada Mertua di Rumahku: Rully Manna Rano Karno, Roger Danuarta, Cut Meyriska Family Drama KlikFilm Productions, Merpati Film [11] 20 Merindu Cahaya de Amstel
Title Director Cast Genre Notes 1980: Bandish: Pintar Pintar Bodoh: Arizal: Warkop: Comedy: Ratapan Anak Tiri 2: Drama: 1981: A Balinese Trance Seance: Dalan lingkaran cinta
The nominations were announced on 10 October 2021 and aired on Vidio and YouTube. [6] Four categories – Favorite Film, Favorite Actor, Favorite Actress, and Best Film Critic – were added, which the former three were voted by audience. [7] Photocopier led all nominees with seventeen nominations; Ali & Ratu Ratu Queens came in second with ...
The Foreign Language Film Award Committee oversees the process and reviews all the submitted films. Following this, they vote via secret ballot to determine the five nominees for the award. The Indonesian submissions are selected by Persatuan Produser Film Indonesia (English: Indonesian Motion Picture Producers Association).
This film released on April 30, 2022, previously this film was planned to be released on March 19, 2020, and then on February 24, 2022, but both dates were pulled due to the COVID-19 pandemic. [2] [3] Upon its release, it became the highest-grossing film in Indonesian history. [4] A prequel titled Badarawuhi di Desa Penari was released on 2024.
The film was directed by Upi who co-wrote the screenplay with Joko Anwar. It is the second installment in the Bumilangit Cinematic Universe (BCU). And it stars Pevita Pearce as Alana / Sri Asih alongside Reza Rahadian, Christine Hakim, Jefri Nichol, Dimas Anggara, and Surya Saputra. The film was released theatrically in Indonesia on 17 November ...
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In his article highlighting the best movies of 2022, Richard Brody of The New Yorker said, "This year, it’s all the more important to offer a widely inclusive list, because a wide range of American filmmakers have caught up with the inescapable phenomenon of the recent past: the resurgence of openly anti-democratic forces and brazenly hate-driven ideologies, the crisis of illegitimate rule ...