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Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
In the same ABC documentary, Myers uses a close-up examination of the Zapruder film to justify the single-bullet theory and calls attention to frames 223 and 224 on the Zapruder film, where the right-side lapel of Governor Connally's jacket appears to "pop out," as if being pushed from within by an unseen force. Myers theorizes that this is the ...
Carpenter’s footage from I-35, which only lasts about 10 seconds, begins with video of accessory vehicles in the president’s motorcade traveling down Lemmon Avenue toward downtown Dallas.
In a video interview by Doug Horne (actually a digest of excerpts from 9 interviews by Peter Janney and Doug Horne), Dino Brugioni says that he and his team examined the 8mm Zapruder film of the John F. Kennedy assassination the evening of Saturday November 23, 1963, and into the morning of Sunday November 24, 1963, when he was the weekend duty ...
Conspiracies and Zapruder film Debate and conspiracy theories have raged about the assassination over the last six decades, with thousands of books, movies, TV shows and podcasts dedicated to what ...
In addition to Zapruder, Charles Bronson, Marie Muchmore, and Orville Nix filmed the assassination, but at farther distances than Zapruder. [180] [181] Of the three, only Nix — who filmed the assassination from the opposite side of Elm Street from Zapruder, capturing the grassy knoll — actually recorded the fatal shot.
Zapruder's movie camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top-of-the-line when it was purchased in 1962. [citation needed] Zapruder had planned to film the motorcade from his office window but opted for a better spot in Dealey Plaza where the motorcade would be passing. [19]
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.