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For example, David Damrosch states, "A work enters into world literature by a double process: first, by being read as literature; second, by circulating out into a broader world beyond its linguistic and cultural point of origin". [1]
Don Juan by Lord Byron (1824), an example of a "mock" epic in that it parodies the epic style of the author's predecessors [12] Camões by Almeida Garrett (1825), narrating the last years and deeds of Luís de Camões; Dona Branca by Almeida Garrett (1826), the fantastic tale of the forbidden love between Portuguese princess Branca and Moorish ...
World folk-epics are those epics which are not just literary masterpieces but also an integral part of the worldview of a people. They were originally oral literatures , which were later written down by either single author or several writers.
The terms "comparative literature" and "world literature" are often used to designate a similar course of study and scholarship. Comparative literature is the more widely used term in the United States, with many universities having comparative literature departments or comparative literature programs.
This is a list of the most translated literary works (including novels, plays, series, collections of poems or short stories, and essays and other forms of literary non-fiction) sorted by the number of languages into which they have been translated.
Different literary periods held great influence on the literature of Western and European countries, with movements and political changes impacting the prose and poetry of the period. The 16th Century is known for the creation of Renaissance literature, [2] while the 17th century was influenced by both Baroque and Jacobean forms. [3]
The 21st century in literature refers to world literature produced during the 21st century. The measure of years is, for the purpose of this article, literature written from (roughly) the year 2001 to the present. 2001 – The Corrections by Jonathan Franzen; [1] Seabiscuit: An American Legend by Laura Hillenbrand; [2] Life of Pi by Yann Martel ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.