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It was a common belief throughout the Roman world that traditional styles of music should be maintained. [79] [80] Pliny wrote that musicians would change their art based on popular demand. [40] Cicero discussed the superior quality of traditional Roman music. [81] [82] He describes archaic Roman music as civilizing the "barbaric."
Leochares: Apollo Belvedere.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.
Religious art was also a major form of Roman sculpture. A central feature of a Roman temple was the cult statue of the deity, who was regarded as "housed" there (see aedes). Although images of deities were also displayed in private gardens and parks, the most magnificent of the surviving statues appear to have been cult images.
Rome's Piazza Navona.. Rome has for over two thousand years been one of the most important artistic centres in the world. Early Ancient Roman art initially developed from the Etruscan art slightly to its north, but from about 2000 BC, as the Roman Republic became involved with the Greek world, Ancient Greek art and architecture became the dominant influence, until the two effectively merged ...
Bacchus being a god means that the statue's features can be those of an idealization. However, since the features and expression are undoubtedly those of a young man, certain authors speculate that it is a portrait of a person with the attributes of divinity, a relatively common occurrence within the Greco-Roman statuary tradition. [1]
The Gennadios medallion in the Metropolitan Museum of Art in New York, is a fine example of an Alexandrian portrait on blue glass, using a rather more complex technique and naturalistic style than most Late Roman examples, including painting onto the gold to create shading, and with the Greek inscription showing local dialect features.
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Earlier Roman and Etruscan depictions show the instrument used in processions, especially funeral processions. Players of the lituus were called liticines , though the name of the instrument appears to have been loosely used (by poets, not likely by soldiers) to describe other military brass instruments, such as the tuba or the buccina . [ 3 ]