Search results
Results From The WOW.Com Content Network
The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and popular music. The oboe is widely recognized as the instrument that tunes the orchestra with its distinctive 'A'.
The heckelphone is a double reed instrument of the oboe family, but with a wider bore and hence a heavier and more penetrating tone. It is pitched an octave below the oboe and furnished with an additional semitone taking its range down to A. It reads in treble clef sounding one octave lower than written.
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
Carl Nielsen's Fantasy Pieces for Oboe and Piano (Fantasistykker for obo og klavier), Opus 2, were composed shortly after the composer had taken up the post of second violinist in the Royal Danish Orchestra in 1889. The two pieces which make up the opus were first performed at the Royal Orchestra Soirée in Copenhagen on 16 March 1891.
The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. [1] It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes .
Roaming Ashug's Song for cello and piano (1925) Elegy for cello and piano (1925) Piece for cello and piano (1926) Dance No. 1 for violin and piano (1926) Dream for cello and piano (1927) Pantomime for oboe and piano (1927) Allegretto for violin and piano (1929) Song-Poem (in Honor of Ashugs) for violin and piano (1929) Suite for viola and piano ...
World (1968/74), for 6 voices, 2 flutes (both doubling piccolo and the second alto flute), 2 oboes (one doubling oboe d'amore, the other cor anglais), 2 clarinets (the second doubling E-flat clarinet), 2 piccolo trumpets, trombone, tuba, 3 percussionists, cimbalom, celesta, 2 pianos, harp, 2 violins, 2 violas, 2 cellos, 2 double basses [19'] [2]
The first movement (Entrée) is bipartite and juxtaposes several musical ideas: a theme inspired by Susanna's aria Venite inginocchiatevi in Act 2 of Mozart's Le nozze di Figaro, birdsong transcriptions (garden warbler as well as birds of New Zealand like the blue-wattled crow, the bush canary and the kākāpō), a call and response of short melodic cells, a section for wind machine, strings ...