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Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi (白粉) is a powder foundation traditionally used by kabuki actors, geisha and their apprentices. The word is written with kanji meaning "white powder", and is pronounced as the word for white (shiroi) with the honorific prefix o-.
Geisha historically used uguisu no fun to remove their white makeup, and to whiten and condition their skin. The use of nightingale excrement dates back to the Heian period (794–1185) when it was introduced to the Japanese by the Korean people. [1] [3] Koreans used the guano to remove dye from fabric, allowing them to make intricate designs ...
Apprentice geisha typically appear in one style of dress, the most formal, the entire time they are working: a long-sleeved kimono with a trailing skirt, a formal obi which may be extremely long, full white makeup and a traditional hairstyle, which is done using the apprentice's own hair.
Kyoto geisha Toshimana holding a Nōh mask, wearing full make-up and a katsura (wig). Oshiroi The white foundation makeup (白粉) used in kabuki theater, applied as a base layer before other makeup elements. This distinctive white makeup symbolizes the theatrical nature of kabuki and creates a blank canvas for additional character makeup ...
In Japan, geisha wore lipstick made of crushed safflower petals to paint the eyebrows and edges of the eyes as well as the lips, and sticks of bintsuke wax, a softer version of the sumo wrestlers' hair wax, were used by geisha as a makeup base.
This shifted towards a natural (lesser) style of makeup after the 2011 Tōhoku earthquake and tsunami, also known as the Great East Japan Earthquake. It was seen to express a softer beauty in a sensitive time of healing. [23] This style has continued until today, with lesser makeup being preferred over both heavy makeup and no-makeup styles. [23]
A pair of okobo with a woven bamboo top surface. Okobo (おこぼ), also referred to as pokkuri, bokkuri, or koppori geta (all onomatopoeic terms taken from the sound okobo make when walking), [1] are traditional Japanese wooden sandals worn by young girls for Shichi-Go-San, young women during Coming of Age Day and apprentice geisha in some regions of Japan.
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).