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Black Male: Representations of Masculinity in Contemporary Art was a landmark [1] exhibition held at New York's Whitney Museum of American Art from November 10, 1994 until March 5, 1995. Organized by curator Thelma Golden , Black Male was a survey of the changing representations of black masculinity in contemporary art from the 1970s to the 1990s.
The Whitney has historically depended on private collectors and donors for acquisitions of new art. [57] In 2008, Leonard A. Lauder gave the museum $131 million, the biggest donation in the Whitney's history. [57] [58] Donations for new purchases dropped to $1.3 million in 2010 from $2.7 million in 2006. [54]
Pages in category "Paintings in the Whitney Museum of American Art" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes .
The Whitney Museum of American Art 's original building is a collection of three 1838 rowhouses at 8–12 West 8th Street, between Fifth Avenue and MacDougal Street, in the Greenwich Village neighborhood of Manhattan in New York City.
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Paintings in the Whitney Museum of American Art (21 P) Pages in category "Collection of the Whitney Museum" This category contains only the following page.
Whitney has engaged in abstraction since early in his career, and is best known for his paintings which take the form of "grids" of color, arranged in four rows. He arrived at this mode while working in Italy in the 1990s, after the sights of stone blocks in ancient monuments and closely-stacked funeral urns at the Museo Etrusco Guarnacci led Whitney to reconcile his concepts of space and ...
Whitney Houston would have turned 51 today, August 9th, and we're paying a tribute by taking a look back at her career that spanned decades and delighted fans around the world in the slideshow above.