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Robert Fagles (/ ˈ f eɪ ɡ əl z /; [1] September 11, 1933 – March 26, 2008) [2] [3] was an American translator, poet, and academic. He was best known for his many translations of ancient Greek and Roman classics , especially his acclaimed translations of the epic poems of Homer .
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Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
A translation by Robert Fagles renders the quote as: "The world is a world of tears, and the burdens of mortality touch the heart." [3] Robert Fitzgerald, meanwhile, translates it as: "They weep here / For how the world goes, and our life that passes / Touches their hearts." [4]
If the entry authors are here, I recommend Fagles biography to include his military service as an OSS officer in Italy during the Second World War leading Italian partisans against the German army, an experience he related to in the preface for his translation of the Aeneid.
The work was the first complete translation of a major classical text in the Scots language and the first successful example of its kind in any Anglic language. In addition to Douglas's version of Virgil's Aeneid , the work also contains a translation of the "thirteenth book" written by the fifteenth-century poet Maffeo Vegio as a continuation ...
Map of Homeric Greece. In the debate since antiquity over the Catalogue of Ships, the core questions have concerned the extent of historical credibility of the account, whether it was composed by Homer himself, to what extent it reflects a pre-Homeric document or memorized tradition, surviving perhaps in part from Mycenaean times, or whether it is a result of post-Homeric development. [2]
Alecto appears in Book VII of Virgil's Aeneid. Alecto appears in the medieval Irish epic Táin Bó Cúailnge where she is equated with the Mórrígan, the Irish mythological figure associated with battle and death. [3] She briefly appears in Canto IX of Dante's Inferno with her sisters before the gates of Dis, threatening to unveil the Medusa. [4]