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For the first time since antiquity, art became convincingly lifelike. Besides the ancient past, Renaissance artists also studied nature, understanding the human body, animals, plants, space, perspective and the qualities of light. The most common theme were religious subjects, but depictions of mythological stories were produced as well.
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
The first modern art school in Egypt was opened in 1908 as the Cairo College of Fine Arts. [19] These early art schools largely taught the Western aesthetic traditions. As a result, after independence there was an effort to incorporate Egyptian and Middle Eastern traditions into art and art appreciation courses. [20]
The so-called Panel Paintings Initiative is a multi-year project in collaboration between the Getty Conservation Institute, the Getty Foundation, and the J. Paul Getty Museum. The Panel Paintings Initiative is a response to the growing recognition that significant collections of paintings on wood panels may be at risk in coming decades due to ...
Art appreciation in America accelerated with the "picture study movement" in the late 19th century. Picture study was an important part of the art education curriculum. Attention to aesthetics in the classroom led to public interest in beautifying the school, home, and community, which was known as “Art in Daily Living”.
The first World Art Day on April 15, 2012, was supported by all IAA national committees and 150 artists, including those of France, Sweden, Slovakia, South Africa, Cyprus and Venezuela, but the intention of the event is universal.
The National Art Society (NAS), which was formed shortly before Art for Your Sake debuted, [1] helped to produce the program, which had as host Bernard Myers, [2] a professor of art history at New York University. The program sought to extend appreciation of, and access to, art "to audiences far removed from the refinements and dilettantism of ...
The First Impressionist Exhibition was an art exhibition held by the Société anonyme des artistes peintres, sculpteurs, graveurs, etc., [a] a group of nineteenth-century artists who had been rejected by the official Paris Salon and pursued their own venue to exhibit their artworks.