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Saint John the Baptist Preaching (Raphael) [Wikidata] National Gallery, London, United Kingdom: Oil on panel 26,2 x 52 c. 1505 Small Cowper Madonna: National Gallery of Art, Washington, United States: Oil on panel 59,5 x 44 c. 1505: Terranuova Madonna: Gemäldegalerie, Berlin, Germany: Oil on panel Diameter 88,5 1505–1506: Christ Blessing
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
Mannerism, beginning at the time of his death, and later the Baroque, took art "in a direction totally opposed" to Raphael's qualities; [96] "with Raphael's death, classic art—the High Renaissance—subsided", as Walter Friedländer put it. [97] He was soon seen as the ideal model by those disliking the excesses of Mannerism:
And in truth, whoever considers the diligence, love, art and grace shown by this picture, has great reason to marvel, for it amazes all who behold it, what with the air of the figures, the beauty of the draperies, and in short, the supreme excellence that it reveals in every part.
The way Raphael composed the painting creates a sense of intimacy between Mary and Christ, with John the Baptist as witness. The positions of Mary and Christ, and to a lesser extent John the Baptist, serve as a prefiguration of the Passion and eventual death of Christ. [5] The book Mary hold tells of these eventual events.
Portrait of a Cardinal, or simply The Cardinal, is an oil on panel painting by the Italian Renaissance artist Raphael, dated to c. 1510–1511. It is held by the Prado Museum in Madrid. Raphael had arrived in Rome in 1508, and quickly found great success during the papacy of Pope Julius II.
The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
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