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In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. [2] In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory.
In music theory, retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [ 1 ] Retrograde reverses the order of the motif 's pitches : what was the first pitch becomes the last, and vice versa. [ 2 ]
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
Inversion (music), a term with various meanings in music theory and musical set theory; Inversions by Iain M. Banks; Inversion, a 2012 third person shooter for Xbox 360, PlayStation 3, and PC; Inversions, the 2014 extended play album by American rock music ensemble The Colourist; Inversions, a 2019 album by Belinda O'Hooley
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.
Quintal first inversion of C sus4, where the fourth is the bass note. Each suspended chord has two inversions. Suspended second chords are inversions of suspended fourth chords, and vice versa. For example, G sus2 (G–A–D) is the first inversion of D sus4 (D–G–A) which is the second inversion of G sus2 (G–A–D).
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The second inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of the chord are a fourth apart which traditionally qualifies as a dissonance. There is therefore a tendency for movement and resolution.