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  2. Folk art - Wikipedia

    en.wikipedia.org/wiki/Folk_art

    Canadian folk artist Maud Lewis, for example, suffered from an undiagnosed congenital illness, making formal art schooling a challenge. [9] Despite barriers to formal education, Lewis became one of Canada's most famous folk artists, creating thousands of paintings of life in Nova Scotia .

  3. Folk art of the United States - Wikipedia

    en.wikipedia.org/wiki/Folk_art_of_the_United_States

    An example of this can be seen by Rufus Hathaway (1770-1822) who worked as a self taught portrait painter for five years. [29] The nature of American folk art not relying on a traditional education in the arts meant there was a greater range of backgrounds among the artists that produced pieces of art in this movement.

  4. Folk arts - Wikipedia

    en.wikipedia.org/wiki/Folk_arts

    Folk and traditional arts are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of folklore and cultural heritage. Tangible folk art includes objects which historically are crafted and used within a traditional community.

  5. Category:Folk art - Wikipedia

    en.wikipedia.org/wiki/Category:Folk_art

    Folk art museums and galleries (5 C, 38 P) N. North American folk art (2 C, 1 P) S. South American folk art (5 P) Straw art (10 P) T. Traditional toys (7 C, 92 P ...

  6. Mexican handcrafts and folk art - Wikipedia

    en.wikipedia.org/.../Mexican_handcrafts_and_folk_art

    Wood and fiber crafts for sale at the municipal market in Pátzcuaro. Dolls made of cartonería from the Miss Lupita project.. Mexican handcrafts and folk art is a complex collection of items made with various materials and fashioned for utilitarian, decorative or other purposes, such as wall hangings, vases, toys and items created for celebrations, festivities and religious rites. [1]

  7. Concepts in folk art - Wikipedia

    en.wikipedia.org/wiki/Concepts_in_folk_art

    Art marketeers, including gallery owners, museum curators, and collectors of traditional art, have a very different and somewhat controversial agenda in their interest in folk art. For them, the object itself is central, while the history and context become secondary. [ 65 ]