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Man in "toga" outfit. A toga party was depicted in the 1978 film Animal House, which propelled the ritual into a widespread and enduring practice. Chris Miller, who was one of the writers of Animal House, attended Dartmouth College where the toga party was a popular costume event at major fraternity parties (such as Winter Carnival and Green Key Weekend) during the late 1950s and early 1960s.
With the even grander loros costume, the "chlamys costume" was the ceremonial wear of Byzantine emperors and the only option for high officials on very formal occasions. [4] It is generally less common in surviving imperial portraits than the loros shown on coins, though the large numbers of Byzantine coins that survive provide many examples ...
Amalia created a romantic folksy court dress, which became a national Greek costume still known as the Amalía dress. [3] It follows the Biedermeier style, with a loose-fitting, white cotton or silk shirt, often decorated with lace at the neck and handcuffs, over which a richly embroidered jacket or vest is worn, usually of dark blue or claret ...
Cretan women's clothing included the first sewn garments known to history. Dresses were long and low-necked, with the bodice being open almost all the way to the waist, leaving the breasts exposed. [18] Dresses were often accompanied by the Minoan corset, an early form of corset created as a close fitting blouse, designed to narrow the waist.
Ampyx (ἄμπυχ) was a headband worn by Greek women to confine the hair, passing round the front of the head and fastening behind. It appears generally to have consisted of a plate of gold or silver, often richly worked and adorned with precious stones. [90] Sphendone (σφενδόνη) was a fastening for the hair used by the Greek women. [91]
The synthesis (Greek for something "put together"), probably synonymous with cenatoria, "dinner clothes" (from Latin cena, "dinner"), was a garment or outfit worn in ancient Rome for dining or special occasions such as the Saturnalia.