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Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own ...
Once his bravura style on the modified flute had become accepted in London, he licensed several London flute makers such as Clementi & Co., Astor, Rudall and Rose, and Potter to produce the 'Nicholson's Improved'. The structure of his new flute favoured flat keys such as E flat, A flat, and F and C minor.
The txistu (Basque pronunciation: [ˈtʃis̺tu]) is a kind of fipple flute that became a symbol for the Basque folk revival. The name may stem from the general Basque word ziztu "to whistle" with palatalisation of the z (cf zalaparta > txalaparta). This three-hole pipe can be played with one hand, leaving the other one free to play a percussion ...
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]
Syrinx, L. 129, is a piece of music for solo flute which Claude Debussy wrote in 1913. It generally takes three minutes or less to perform. It was the first significant piece for solo flute after the Sonata in A minor composed by C. P. E. Bach over 150 years before (1747 [1]), and it is the first such solo composition for the modern Böhm flute, developed in 1847.
In geomorphology, a flute is a narrow, shallow channel that runs nearly vertically down the face of a rock surface. It is formed by the weathering and erosion of the rock surface. Correspondingly, fluting is the erosional process by which flutes develop on the surface of well-jointed coarse-grained rock, such as granite or gneiss.
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Dülon was born in Oranienburg.Although he went blind due to an eye infection caused by medical malpractice when he was only six weeks old, a this did not prevent him from taking music lessons, first from his father, a music-loving tax official, and later from organist Johann Karl Anderson (1774–1815) who taught him piano and figured bass, and the equally blind flutist Joseph Winter who had ...