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The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
Canzone napoletana (Italian: [kanˈtsoːne napoleˈtaːna]; Neapolitan: canzona napulitana [kanˈdzoːnə napuliˈtɑːnə]), sometimes referred to as Neapolitan song, is a generic term for a traditional form of music sung in the Neapolitan language, ordinarily for the male voice singing solo, although well represented by female soloists as well, and expressed in familiar genres such as the ...
Italian folk songs include ballads, lyrical songs, lullabies and children's songs, seasonal songs based around holidays such as Christmas, life-cycle songs that celebrate weddings, baptisms and other important events, dance songs, cattle calls and occupational songs, tied to professions such as fishermen, shepherds and soldiers.
Russian composer Nikolai Rimsky-Korsakov also mistook "Funiculì, Funiculà" for a traditional folk song and used it in his 1907 "Neapolitanskaya pesenka" (Neapolitan Song). [13] Cornettist Herman Bellstedt used it as the basis for a theme and variations titled Napoli; a transcription for euphonium is also popular among many performers.
The Neapolitan folk-figure, Pulcinella, playing the putipù. By definition, this is largely anonymous music. It features traditional folk percussion instruments such as the putipù--consisting of a membrane stretched across a resonating chamber, like a drum. A handle attached to the membrane compresses air rhythmically within the chamber; the ...
Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various southern Italian folk dances originating in the regions of Calabria, Campania, Sicilia and Puglia. It is characterized by a fast upbeat tempo, usually in 6 8 time (sometimes 12 8 or 4 4), accompanied by tambourines. [2]