Search results
Results From The WOW.Com Content Network
To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. The most popular form of music in Laos is the indigenous mor lam.
Laos been over from 13th century form 17th century there style has been In this respect, it differs markedly from the mahori orchestras of Cambodia and Siam. Lao music today comes in a wide variety of styles and from different national origins. Outside of Laos, Lao music is mainly created in the United States, France and Canada.
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/, and signifies 'to sing' or a
Each is accompanied by Lao classical music. Masked dancers about to perform a khon dance-drama based on the Phra Lak Phra Ram. Khon (ໂຂນ [[kʰǒːn]] ) is the most stylised of the Lao dance-dramas, with troupes of male and female dancers in elaborate costumes and masks performing very graceful movements demonstrating their great ...
A khene player in Isan. The khaen (/ ˈ k ɛ n /; spelled "Khaen", "Kaen", "Kehn" [1] or "Ken" in English; [2] Lao: ແຄນ, pronounced; Thai: แคน, RTGS: khaen, pronounced; Northeastern Thai: แคน, pronounced [kʰɛ᷇ːn]; Khmer: គែន – Ken; Vietnamese: khèn or kheng) is a Lao mouth organ whose pipes, which are usually made of bamboo, are connected with a small, hollowed ...
Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei , Cambodia , East Timor , Indonesia , Laos , Malaysia , Myanmar , Philippines , Singapore , Thailand and Vietnam , which accommodate hundreds of ethnic groups.
One journal that provides coverage of popular music in France along with popular music history is Volume!. Volume! (subtitled in French:La revue des musiques populaires - The journal of popular music studies) is a biannual (May & November) peer-reviewed academic journal "dedicated to the study of contemporary popular music". [12]
The air de cour was a popular type of secular vocal music in France in the late Renaissance and early Baroque period, from about 1570 until around 1650. From approximately 1610 to 1635, during the reign of Louis XIII, this was the predominant form of secular vocal composition in France, especially in the royal court.