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The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B ♭ (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular.
However, playing a 3rd space C (F-horn, open) and repeating the stopped horn, the pitch will lower a half-step to a B-natural (or 1/2 step above B ♭, the next lower partial). The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly.
Three compositions for Horn; Music for five for Horn and four percussions; Lyric Fragment for Mezzo-soprano, Horn and Piano; Sonata No. 1 for Horn and Piano; Lyrics for Horn and Piano; Sonata No. 2 for Horn and Piano; Werner Pirchner. Born for Horn, for four horns, PWV 36 [3] Wolfgang Plagge. Sonata No. 1 for Horn and Piano, Op. 8; Sonata No. 2 ...
In 1849, Robert Schumann explored the horn as a solo instrument, dedicating to it an "Adagio and Allegro," Op. 70, before embarking on the composition of an orchestral work featuring four solo horns (having also composed the "Five Songs based on Heinrich Laube's Hunting Compendium" for men's choir and four horns, Op. 137 that same year).
Reinhold Glière's Concerto for Horn and Orchestra in B-flat major, Op. 91, was completed in 1951. It was premiered on May 10, 1951 by Russian horn player Valery Polekh in Leningrad (later renamed St. Petersburg) with the Leningrad Radio Symphony Orchestra .
The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. [6] The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G 5 ), where in general it locks onto notes less easily.
Like the other two soloists, Purvis improvised his own cadenza for the two horn concerti on the disc. [ 5 ] Fred Rizner has recorded this concerto together with K. 495 with the English Chamber Orchestra conducted by José Luis García Asensio on a Summit disc which also includes the Clarinet Concerto, K. 622 (with clarinetist Joaquin Valdepeñas ).
Jacques-François Gallay (8 December 1795 – 18 October 1864) [1] was a French horn player, academic and composer of music for the instrument. His Méthode for the natural horn was published in 1845.