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The Firesign Theatre's Big Book Of Plays is a collection of transcriptions written by The Firesign Theatre for the title tracks of each of their first four albums.The book also contains some introductory material that is serious as well a few pieces that parody introductory material.
The play is the first result of the THEaiTRE research project, aiming to commemorate the centenary of the R.U.R. play by Karel Čapek by investigating to what extent artificial intelligence could be used to create theatre play scripts. [1] [2] [3] The script of the play was created using the THEaiTRobot tool, [4] based on the GPT-2 language ...
The adaptation started with a scandal. The entire first act of the play was censored and consequently not performed on stage. However, this censorship only applied to events presented on stage and not to the written text. The script of Richard III was printed in full and included all censored lines and words. The depiction on stage was thought ...
While R.U.R. was a play written by a human about robots (and humans), THEaiTRE tried to reverse this idea by presenting a play written by a "robot" (artificial intelligence) about humans (and robots). [7] The script of the play was published online, with marked parts of the text which were written manually or manually post-edited. [8]
Come On, Jeeves is a comedic play co-written by Guy Bolton and P. G. Wodehouse. The play was written in the summer of 1952, and toured the English provinces in the summer of 1954. Wodehouse adapted the play into the novel Ring for Jeeves, which was first published in April 1953, a year before the play reached production. [1]
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