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From 1910–1930, the Colonial Revival movement was ascendant, with about 40% of U.S. homes built in the Colonial Revival style. [1] In the immediate post-war period (c. 1950s –early 1960s), Colonial Revival homes continued to be constructed, but in simplified form. In the present-day, many New Traditional homes draw from Colonial Revival styles.
Subsequently, the U.S. interpretation saw popularity in Mexico and was locally termed colonial californiano. Modern-day tract home design in Southern California and Florida largely descends from the early movement. The iconic terracotta shingles and stucco walls have been standard design of new construction in these regions from the 1970s to ...
This house was modeled on the Villa Pisani in Montagnana, Italy, as exhibited in the Renaissance architect Andrea Palladio's Four Books of Architecture (1570). Colonial architect William Buckland designed this house in 1774 and the resulting house is a very skillful adaptation of the Villa Pisani for the warmer climate of the Chesapeake Bay region.
Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style.
The house was built in 1905 for Sir Marmaduke Winter, a wealthy merchant in St. John's. At the time it was one of the most expensive homes ever built in the city. It has many features typical of Queen Anne revival style architecture including an asymmetrical facade, pediments over the porch and windows, stacked bay windows and a circular corner ...
It is sometimes considered the modern continuation of Neoclassical architecture, [2] [3] [4] even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles [5] – often referenced and recreated from a postmodern perspective rather than as strict revivals.
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The other stronghold of Pueblo-style architecture is Santa Fe, where it was popularized in the 1920s and 1930s by a group of artists and architects seeking to establish a unique regional identity. In 1957, a committee led by John Gaw Meem drafted Santa Fe "H" Historical District Regulations Ordinance No. 1957-18, [ 6 ] commonly known as the ...