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Although images of deities were also displayed in private gardens and parks, the most magnificent of the surviving statues appear to have been cult images. Roman altars were usually rather modest and plain, but some Imperial examples are modeled after Greek practice with elaborate reliefs, most famously the Ara Pacis, which has been called "the ...
Roman rectangular scutums of later eras were smaller than Republican oval scutums and often varied in length from approximately 37 to 42 in (94 to 107 cm) tall (approximately 3 to 3.5 Roman feet, covering the shoulder to top of knee), and 24 to 33 in (61 to 84 cm) wide (approximately 2 to 2.7 Roman feet).
Gladius (Classical Latin: [ˈɡɫadiʊs]) is a Latin word properly referring to the type of sword that was used by ancient Roman foot soldiers starting from the 3rd century BC and until the 3rd century AD. Linguistically, within Latin, the word also came to mean "sword", regardless of the type used.
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The Dying Gaul, also called The Dying Galatian [2] (Italian: Galata Morente) or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period (323–31 BC) thought to have been made in bronze . [ 3 ]
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
Roman era reenactor holding a replica late Roman spatha. The spatha was a type of straight and long sword, measuring between 0.5 and 1 metre (20 and 40 inches), with a handle length of between 18 and 20 centimetres (7 and 8 inches), in use in the territory of the Roman Empire during the 1st to 6th centuries AD.
The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) [1] is a celebrated marble sculpture from classical antiquity.. The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares. [2]