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The essence of fictional music is usually to convince the recipient that he could experience it in the real world. [1] [2] It often has a diegetic character. [3]Depending on a work, it can be serious, but it can also take on a playful and parodic character (e.g. in concert from the 1964 film The World of Henry Orient).
Music portal; Pages in this category should be moved to subcategories ... Pages in category "Fictional musicians" The following 129 pages are in this category, out of ...
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This list includes fictional representations of real (named) composers and musicians, and fictional characters under other names that are generally agreed to be based on a specific composer, or sometimes a composite of several. Johann Sebastian Bach. Esther Meynell: The Little Chronicle of Magdalena Bach (1925) [1] James Runcie: The Great ...
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The sci-film 2BR02B: To Be or Naught to Be is an example of cross-over diegetic music in film, with Schubert's Ave Maria playing over separate shot sequences as non-diegetic music, but then later showing it to come from a gramophone in a hospital waiting room. A similar cross-over occurs in the closing scene of the HBO docudrama "Conspiracy ...
The Archies first appeared in a comic book, Life with Archie #60 (April 1967). The fictional band was inspired by the success of the 1966 TV series The Monkees; [5] in particular, Don Kirshner, who had managed the initially fictional band, wanted a musical act that he could fully control: as the Monkees were fictional but still used the real musicians' names, the musicians themselves became ...
Musical fiction is a genre of fiction in which music is paramount: both as subject matter, and through the rhythm and flow of the prose; that is, ...