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Detour Ahead" [9] [152] is a jazz composition with words and music credited to Herb Ellis, John Frigo, and Lou Carter. Probably most famously recorded by Billie Holiday in 1951 with Tiny Grimes . " Four Brothers " [ 9 ] [ 13 ] [ 153 ] [ 154 ] is a jazz composition by Jimmy Giuffre .
In the late 1940s there was a revival of "Dixieland" music, harkening back to the original contrapuntal New Orleans style. This was driven in large part by record company reissues of early jazz classics by the Oliver, Morton, and Armstrong bands of the 1930s. There were two populations of musicians involved in the revival.
1940s; 1950s; 1960s; 1970s; 1980s; 1990s; Pages in category "1940s jazz standards" The following 145 pages are in this category, out of 145 total.
The Penguin Guide to Jazz Recordings [ 2 ] Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington 's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four additional masters.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
By the 1940s, Dixieland jazz revival musicians like Jimmy McPartland, Eddie Condon and Bud Freeman had become well-known and established their own unique style. Most characteristically, players entered solos against riffing by other horns, and were followed by a closing with the drummer playing a four-bar tag that was then answered by the rest ...
On February 8, 1940, “How High the Moon” was introduced during the Broadway revue Two for the Show.The musical would run at the Booth Theatre for 124 performances. . Music and Lyrics by Alfred Drake and Frances Com