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Apoyando ("supporting") is a method of brushing the string used in both classical guitar and flamenco guitar known in English as "rest stroke." The rest stroke gets its name because after brushing the string, the finger rests on the adjacent string after it follows through, giving a slightly rounder, often punchier sound (contrasted with tirando).
In both schools—one being all free-stroke (Giuliani arpeggio practice) and the other rest-stroke (Segovia scale practice) -- the basis for learning the technique is hours of repetition. In 1983, Richard Provost outlined principles of scale and arpeggio technique based on his study of anatomy to make the 'inherent kinesthetic tendencies' ("our ...
Rest-stroke or apoyando—the finger that plucks a string rests on the next string—traditionally used in single melody lines—versus free-stroke or tirando, where the string is plucked "in passing" Harmonic effects by, for instance, hitting the top surface of the nail on an upstroke to produce a false harmonic
The picking technique of gypsy jazz has been described [2] as similar to economy picking, but with the further requirement that when the pattern switches from string to string in either direction, a rest stroke is performed. For example, on switching from the G to the B string, the plectrum moves in the same direction and comes to rest on the E ...
A flamenco guitar is a guitar similar to a classical guitar, but with lower action, [1] thinner tops and less internal bracing. It usually has nylon strings, like the classical guitar, but it generally possesses a livelier, more gritty sound compared to the classical guitar. [ 2 ]
Flamenco mode: Flamenco mode on C. Play ... Miyako-bushi scale on D, equivalent to in scale on D, with brackets on fourths. Play ...
Flamenco mode Play ⓘ.. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.
Rak and Yamashita have also generalized the use of the upstroke of the four fingers and the downstroke of the thumb (the same technique as in the rasgueado of the Flamenco: as explained above the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side) both as a free stroke and as a rest stroke.