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2. Comparison of screencasting software - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_screen...

   This software is commonly used for desktop recording, gameplay recording and video editing. Screencasting software is typically limited to streaming and recording desktop activity alone, in contrast with a software vision mixer, which has the capacity to mix and switch the output between various input streams.

3. OBS Studio - Wikipedia

   en.wikipedia.org/wiki/OBS_Studio

   OBS Studio is a free and open-source app for screencasting and live streaming.Written in C/C++ and built with Qt, OBS Studio provides real-time capture, scene composition, recording, encoding, and broadcasting via Real-Time Messaging Protocol (RTMP), HLS, SRT, RIST or WebRTC.

4. Streamlabs - Wikipedia

   en.wikipedia.org/wiki/Streamlabs

   Streamlabs Desktop (formerly Streamlabs OBS) is a free and open-source streaming software that is based on a fork of OBS Studio. Electron is used as the software framework for the user interface. [4] Streamlabs distributes the user's content over platforms such as Twitch, YouTube, and Facebook. [2] [5]

5. H.264/MPEG-4 AVC products and implementations - Wikipedia

   en.wikipedia.org/wiki/H.264/MPEG-4_AVC_products...

   x264 is a GPL-licensed H.264 encoder that is used in the free VideoLAN and MEncoder transcoding applications and, as of December 2005, remains the only reasonably complete open source and free software implementation of the standard, with support for Main Profile and High Profile. [10]

6. Nvidia NVENC - Wikipedia

   en.wikipedia.org/wiki/Nvidia_NVENC

   The encoder is supported in many livestreaming and recording programs, such as vMix, Wirecast, Open Broadcaster Software (OBS) and Bandicam, as well as video editing apps, such as Adobe Premiere Pro or DaVinci Resolve. It also works with Share game capture, which is included in Nvidia's GeForce Experience software. [4] [5] [6]

7. Comparison of video codecs - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_video_codecs

   The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.