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Reba orders the torture and execution of Doña Ocana. Rumata – faced with the horrible consequences of his power-play – goes into a drunken stupor. Finally, left with no other option, in front of the King, Rumata openly accuses Don Reba of kidnapping a famous physician whom he (Rumata) had invited to tend to the King's maladies.
Hard to Be a God (German: Es ist nicht leicht ein Gott zu sein, Russian: Трудно быть богом, French: Un dieu rebelle) is a West German-Soviet-French-Swiss science fiction film directed by Peter Fleischmann and released in 1989, the movie based on the 1964 novel of the same name by Arkady and Boris Strugatsky.
Desiring to find out Budakh's fate, Rumata arranges an appointment with the king and Don Reba, but fails to learn anything about Budakh. In the saloons, Rumata meets his friend Pampa, a washed-up local baron. After a drunken night, Rumata is suddenly arrested in the palace by Grays and taken to Don Reba for interrogation.
7 Days in Hell (2015) – sports mockumentary television film inspired by the Isner–Mahut marathon men's singles match at the 2010 Wimbledon Championships [1]; 10 Days in a Madhouse (2015) – biographical film about undercover journalist Nellie Bly, a reporter for Joseph Pulitzer's New York World who had herself committed to the Women's Lunatic Asylum on Blackwell's Island to write an ...
Don is a 1978 Indian Hindi-language action thriller film directed by Chandra Barot from a story written by Salim–Javed and produced by Nariman Irani. The film stars Amitabh Bachchan in dual role, alongside Zeenat Aman , Pran , Iftekhar , Om Shivpuri and Satyen Kappu in supporting roles.
Melanie is a 1982 Canadian drama film directed by Rex Bromfield, starring Glynnis O'Connor, Burton Cummings, Paul Sorvino and Don Johnson. Plot summary [ edit ]
Without Reservations is a 1946 RKO Radio Pictures American comedy film directed by Mervyn LeRoy and starring Claudette Colbert, John Wayne and Don DeFore. The film was adapted by Andrew Solt from the novel Thanks, God! I'll Take It From Here by Jane Allen and Mae Livingston.
It starred Loretta Young and Don Ameche. The New York Times praised its use of new Technicolor technology but found the plot "a piece of unadulterated hokum." It thought "Ramona is a pretty impossible rôle these heartless days" and Don Ameche "a bit too Oxonian" for a chief's son. [4] The film's copyright was renewed on June 16, 1964. [5]