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The Piano Sonata in E-flat major, Hob. XVI/49, L.59, was written in 1789/90 by Joseph Haydn. The sonata stands out among Haydn's pianoforte works both for the enthusiastic reaction it has evoked from critics and for the rather complicated story behind its genesis, driven by the composer's feelings for a younger, married woman he had befriended.
The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger
Pages in category "Piano sonatas by Joseph Haydn" ... Piano Sonata Hob. XVI/9; Piano Sonata Hob. XVI/49; Piano Sonata Hob. XIV/5; Piano Sonata Hob. XVI/15;
Keyboard sonata No. 45 E ♭ major 1765–67 XVI:46 Keyboard sonata No. 46 A ♭ major 1765–67 XVI:47 Keyboard sonata No. 47 F major c. 1765–67 authorship uncertain XVI:48 Keyboard sonata No. 48 C major 1789 or before XVI:49 Keyboard sonata No. 49: E ♭ major 1789–90 XVI:50 Keyboard sonata No. 50: C major 1794–95 XVI:51 Keyboard sonata ...
The Symphony No. 49 in F minor (Hoboken I/49) was written in 1768 by Joseph Haydn during his Sturm und Drang period. It is popularly known as La passione (The Passion). The scoring of the symphony is typical of Haydn in this period: two oboes , bassoon , two horns , and strings .
Catalogues of composers' works typically follow either a chronological arrangement (sorting by date of composition) or a sorting by musical genre. [2] Hoboken's catalogue is of the latter type; thus the symphonies, for example, are in category I, all string quartets are in category III, piano sonatas are in category XVI, and so on.
The Piano Sonata in E-flat major, Hob. XVI/52, L. 62, was written in 1794 by Joseph Haydn.It is the last of Haydn's piano sonatas, and is widely considered his greatest. It has been the subject of extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual harmonies and interesting development. [1]
"Prior to Joseph Haydn's 1790 Sonata in Eb major, Hob 49, which was written for the fortepiano, and a very specific one at that, we have only the vaguest knowledge about the instrument or instruments for which Haydn intended his solo Claviersonaten or keyboard sonatas."