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This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .
This logo was created with Inkscape. This logo uses embedded text that can be easily translated using a text editor. Used font: FreeSerif Bold Italic (free) Used software: Ubuntu (FOSS), Inkscape (FOSS)
Papyrus was used as a 'paper' onto which the Egyptians applied their water-based paints or pigments. [5] Modern Watercolor brands and countries of manufacture: Winsor & Newton, Saunders & Waterford, Hayle Mill, Whatman and Bockingford Watercolor Paper made in Britain; Bee Paper Company and St. Armand Watercolor Paper, Canada; Velke Losiny Moldau watercolor paper, Czech Republic; Canson ...
As a WHATWG logo, this image probably draws some of the following elements from the main WHATWG logo: The color #3c790a; The circle around the outside; The question mark on the inside; It may also be a (more amusing) pun. (If you think of a better pun, please show it to #whatwg.)
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Image:Map of USA-bw.png – Black and white outlines for states, for the purposes of easy coloring of states. Image:BlankMap-USA-states.PNG – US states, grey and white style similar to Vardion's world maps. Image:Map of USA with county outlines.png – Grey and white map of USA with county outlines.
In modern times, Chinese printing continued the tradition begun in medieval times. Black-and-white woodcuts were generally replaced by colored ones, achieved by printing successive runs with different inks. Between the end of the 16th and the beginning of the 17th century, three—and five—color prints appeared.