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The Supremes, Nicki Minaj, the Jackson 5, Lady Gaga and more are part of the Motown Museum's new interactive exhibit along the Detroit RiverWalk.
And so the Motown Museum has become a go-to destination for visitors from across the globe, including celebrities who regularly flock to the place that took life as Hitsville, U.S.A., in 1959.
The Motown piano is an 1877 Steinway & Sons Model D grand piano, used by many musicians including the Funk Brothers studio band, at the Hitsville U.S.A. Studio B from 1967 to 1972. On July 24, 2011, Paul McCartney was in Detroit for a performance at Comerica Park, as part of his On the Run Tour; he visited the Motown Museum for a private guided ...
(CBS DETROIT) - The Motown Museum revealed new renderings of what to expect inside the highly anticipated expansion project. The nearly 40,000-square-foot project, which will include a cafe and ...
The Motortown Revue was the name given to the package concert tours of Motown artists in the 1960s. Early tours featured Smokey Robinson & The Miracles, Mary Wells, The Marvelettes, Barrett Strong, and The Contours as headlining acts, and gave then-second-tier acts such as Marvin Gaye, Martha & The Vandellas, Stevie Wonder, The Supremes, The Four Tops, Gladys Knight & the Pips and The ...
Motown: The Musical is a jukebox musical that premiered on Broadway in April 2013. The musical is based on Berry Gordy's autobiography To Be Loved: The Music, the Magic, the Memories of Motown (1994), [1] and on the history of his founding and running of the Motown record label, and his personal and professional relationships with Motown artists such as Diana Ross, Smokey Robinson, Marvin Gaye ...
The “Live from Motown Museum” playlist includes hits and deeper cuts, interspersed with bumpers promoting the museum. ... Contact Detroit Free Press music writer Brian McCollum: 313-223-4450 ...
After Motown became established, Edwards took an active role in management and booking tours, and founded the legendary Motortown Revue in the 1962. While at Motown, Edwards took on a motherly role towards some of the label's younger acts. In the mid-1960s, she served as Motown's vice president and chief executive officer.