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The Motortown Revue was the name given to the package concert tours of Motown artists in the 1960s. Early tours featured Smokey Robinson & The Miracles, Mary Wells, The Marvelettes, Barrett Strong, and The Contours as headlining acts, and gave then-second-tier acts such as Marvin Gaye, Martha & The Vandellas, Stevie Wonder, The Supremes, The Four Tops, Gladys Knight & the Pips and The ...
And so the Motown Museum has become a go-to destination for visitors from across the globe, including celebrities who regularly flock to the place that took life as Hitsville, U.S.A., in 1959.
The Motown piano is an 1877 Steinway & Sons Model D grand piano, used by many musicians including the Funk Brothers studio band, at the Hitsville U.S.A. Studio B from 1967 to 1972. On July 24, 2011, Paul McCartney was in Detroit for a performance at Comerica Park, as part of his On the Run Tour; he visited the Motown Museum for a private guided ...
The Motown Museum's new "Motown Mile" exhibit on the Detroit RiverWalk links classic songs with modern music, like this panel with the Supremes' "Someday We'll Be Together" and Janet Jackson's "If."
A weekly music show, “Live from Motown Museum,” is headed to SiriusXM, set to premiere at 2 p.m. Saturday on Smokey’s Soul Town — Channel 74 on the satellite radio service and on the ...
Museum of Fine Arts Boston, musical instruments collection – Boston [155] Michigan Motown Museum. Music House Museum – Acme; Stearns Collection of Musical Instruments – Ann Arbor; Motown Museum – Detroit; International Gospel Music Hall of Fame and Museum – Detroit [156] Carnegie Center, Port Huron Museum, musical collection – Port ...
(CBS DETROIT) - The Motown Museum revealed new renderings of what to expect inside the highly anticipated expansion project. The nearly 40,000-square-foot project, which will include a cafe and ...
After Motown became established, Edwards took an active role in management and booking tours, and founded the legendary Motortown Revue in the 1962. While at Motown, Edwards took on a motherly role towards some of the label's younger acts. In the mid-1960s, she served as Motown's vice president and chief executive officer.