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The sides of the drum are 9–20 cm (3 + 1 ⁄ 2 –8 in) deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. [4]
Bodhrán, Riddle drum A crowdy-crawn is a wooden hoop covered with sheepskin used as a percussion instrument in western Cornwall at least as early as 1880. [ 1 ] It is similar to the Irish bodhrán . [ 2 ]
Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones . Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and ...
A frame drum is a drum that has a drumhead width greater than its depth. It is one of the most ancient musical instruments, and perhaps the first drum to be invented. [citation needed] It has a single drumhead that is usually made of rawhide, but man-made materials may also be used. Some frame drums have mechanical tuning, while on many others ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion.
The bodhran is an Irish frame drum ranging anywhere from 10" to 26" in diameter, with most drums measuring from 14" to 18". The sides of the drum are 3 1/2" to 8" deep. A goat skin head is tacked to one side (although today, synthetic heads, or new materials like kangaroo skin, are sometimes used).
Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, [2] but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments that vary in size and are used in several musical genres. Three major types ...
Relate only to other members of the set, or to related unpitched instruments (for example the bass drum to the tom-toms in a drum kit), rather than to the pitched instruments in the ensemble. Bear no harmonic relationship one to the other. If either of these two conditions is not met, then the instrument could be considered pitched.