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A frame drum is a drum that has a drumhead width greater than its depth. It is one of the most ancient musical instruments, and perhaps the first drum to be invented. [citation needed] It has a single drumhead that is usually made of rawhide, but man-made materials may also be used. Some frame drums have mechanical tuning, while on many others ...
The bodhrán (/ ˈ b aʊ r ɑː n, b aʊ ˈ r ɑː n, ˈ b ɔːr ɑː n, ˈ b ɔːr ə n /, [1] [2] Irish: [ˈbˠəuɾˠaːnˠ]; plural bodhráin) is a frame drum [3] used in Irish music ranging from 25 to 65 cm (10–26 in) in diameter, with most drums measuring 35–45 cm (14–18 in). The sides of the drum are 9–20 cm (3 + 1 ⁄ 2 –8 in ...
Creating images with crushed eggshell, painting pigment over gold and tin foil and adding sand to lacquer were all techniques developed by those first students. The metallic color lacquerware for which Vietnamese craftsmen are rightly famous, was first developed by artists experimenting with many innovative techniques.
A Sámi drum is a shamanic ceremonial drum used by the Sámi people of Northern Europe. Sámi ceremonial drums have two main variations, both oval-shaped: a bowl drum in which the drumhead is strapped over a burl, and a frame drum in which the drumhead stretches over a thin ring of bentwood.
A dayereh (or doyra, dojra, dajre, doira, daire) is a medium-sized frame drum with jingles used to accompany both popular and classical music in Iran , the Balkans, and many central Asian countries such as Afghanistan, Tajikistan, and Uzbekistan. It is a percussion instrument, and is something intermediate between a drum and a tambourine.
The drum is played in a vertical position. One holds the drum by looping the thumb of the non-dominant hand through a hole in the frame. Similar frame drums include the tar of Egypt and the bodhrán of Ireland. Unlike the bendir, the tar does not have a snare on the back of the frame, and the bodhrán is played with a beater. [3]
In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. [1] [2] [3] It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.
The frame may also be equipped with jingles. Like the na drum of Tibet, but unlike most frame drums, the dhyāngro usually has a handle. The carving in the wooden handle of a dhyāngro may be quite intricate; owing to Buddhist influence, the handles of some drums are fashioned into a kīla.