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Te Deum stained glass window by Christopher Whall at St Mary's church, Ware, Hertfordshire. The Te Deum (/ t eɪ ˈ d eɪ əm / or / t iː ˈ d iː əm /, [1] [2] Latin: [te ˈde.um]; from its incipit, Te Deum laudamus (Latin for 'Thee, God, we praise')) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. [3]
[3] The music begins with the Gregorian chant Te deum laudamus, te Dominum confitemur, continued responsorially by the whole male choir in unison. The full choir and orchestra enter in partly dramatic scenes, reminiscent of the Messa da Requiem, [ 4 ] interspersed by Gregorian chant.
In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant , the first is also called tenor , dominant or tuba , while the second includes psalm tones (each with its own associated Gregorian mode ) as well ...
Gregorian chant was originally used for singing the Office (by male and female religious) and for singing the parts of the Mass pertaining to the lay faithful (male and female), the celebrant (priest, always male) and the choir (composed of male ordained clergy, except in convents). Outside the larger cities, the number of available clergy ...
The Festival Te Deum, Op. 32, a sacred choral piece by the English composer Benjamin Britten, is a setting of the Te Deum from the Book of Common Prayer. It was composed in 1944 to celebrate the centenary of St Mark's Church, Swindon , and was first performed there in 1945.
Beldwin's copy includes some sections of the Te Deum and Benedictus from the Morning Canticles, given in score. Recent research suggests that it may have been composed somewhat earlier, for a copy in the York Minster part-books (York Minster MS 13/1-5) made by the singer John Todd about 1597-99 describes it as 'Mr Byrd's new sute of service for ...
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]
Te Deum laudamus; Te gloriosis Apostelarum; Tu, Rex gloriae, Christe; Salvum fac populum tuum, Domine; The first movement begins with a quotation of the Gregorian melody of the Te Deum in the bandoneon. The hymn of praise "Te Deum laudamus" (We praise Thee, oh Lord) is set in Tango rhythm. [4] The second movement contains the praise of apostles ...