Search results
Results From The WOW.Com Content Network
Pages in category "Rumba songs" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. C. Castillo mangüé ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; August 31, 1911 – December 30, 1970) [2] [3] was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Franco Luambo is often credited for popularizing and revolutionizing sebene. [1]Sebene, also spelled seben, is an instrumental section commonly played in Congolese rumba. [2] [3] It is usually played towards the end of the song and is the dancing section where the lead and rhythm guitars take the lead in the dance.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
"Entre dos Aguas" is an instrumental flamenco rumba created by the Spanish guitarist Paco de Lucía, included as the first single on the album Fuente y caudal (1973). [1] It was recorded with two guitars (the second played by his brother Ramón de Algeciras ), with a bass and a bongo played by Pepe Ébano instead of the traditional palmas ...
The earliest recording of "La chismosa del solar" was made by Los Muñequitos de Matanzas in 1970 for Areito, the main imprint of EGREM, Cuba's national record label.It was one of a series of songs released in the early 1970s by the band, effectively relaunching their career after their many recordings in the 1950s under the name Conjunto Guaguancó Matancero.