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Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody; Beethoven – Piano Trios, Op. 1; Berg – Piano Sonata; Brahms – Piano Sonata No. 1; Chopin – Rondo in C minor; Clara Schumann – 4 Polonaises; Clifford – Symphony in E-flat
Bartók assigned opus numbers to his works three times. He ended this practice with the Violin Sonata No. 1, Op. 21 in 1921, because of the difficulty of distinguishing between original works and ethnographic arrangements, and between major and minor works. Since his death, three attempts—two full and one partial—have been made at cataloguing.
To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat ...
For Piano, No. 1, in C major; Op. 3, 3 sets of Variations for piano (London, 1794) 1. A Rondo of Pleyel in C major; 2. The Lass of Richmond Hill in G major (Opus 2–1) 3. Wenn's Immer So War in G major; Op. 3a, Trio for Violin, Violoncello, and Piano, No. 1, in B♭ major (1792). Not described as a trio by the composer, and not included in ...
When a piano is only slightly out of tune, it loses the glowing tonal quality characteristic of a freshly tuned piano, especially because each note in the middle and upper range is sounded by more than one string, and these may get slightly out of tune with each other. Pianos that are more than slightly out of tune tend to be unpleasant to play ...
Op. 16 no. 6 Variations quasi-fantaisie sur une barcarolle napolitiane in B ♭ major (1834) Op. 16 (duplicate opus number) - See 12 morceaux caractéristiques in 'Without opus numbers' below. Op. 17, Le preux, étude de concert in B ♭ major (1844), See also below 'Works without opus numbers - Piano 4 hands', Finale (duplicate opus number)
The Variations on the name "Abegg" in F major is a piece (theme with variations) for piano by Robert Schumann, composed between 1829 and 1830, while as a student in Heidelberg, and published as his Opus 1. [1]