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Sibelius wrote instead a composition for a string quartet, to become Andante festivo. It may be based on older projects, such as a planned oratorio, Marjatta, from the 1900s. At the marriage of Riitta Sibelius, a niece of the composer, in 1929, Andante festivo was performed by two string quartets, perhaps with modifications. [3]
For Piano, No. 1, in C major; Op. 3, 3 sets of Variations for piano (London, 1794) 1. A Rondo of Pleyel in C major; 2. The Lass of Richmond Hill in G major (Opus 2–1) 3. Wenn's Immer So War in G major; Op. 3a, Trio for Violin, Violoncello, and Piano, No. 1, in B♭ major (1792). Not described as a trio by the composer, and not included in ...
In music, Op. 1 stands for Opus number 1. Compositions that are assigned this number include: Bach – Partitas for keyboard; Bartók – Rhapsody; Beethoven – Piano Trios, Op. 1; Berg – Piano Sonata; Brahms – Piano Sonata No. 1; Chopin – Rondo in C minor; Clara Schumann – 4 Polonaises; Clifford – Symphony in E-flat
Although he wrote mostly instrumental music, Suk occasionally branched out into other genres. Orchestral music was his strong suit, notably the Serenade for Strings, Op. 6 (1892). [4] His time with the Czech Quartet, though performing successful concerts until his retirement, [4] was not always met with public approval. Several anti-Dvořák ...
Felix Mendelssohn's Piano Quartet No. 1 in C minor, Op. 1 (MWV Q 11), for piano, violin, viola and cello was completed on 18 October 1822 and dedicated to Polish Prince Antoni Radziwiłł. Mendelssohn's three numbered piano quartets were the first works of his to be published, hence their opus numbers. The piece was published in 1823, when ...
Op. 1: Concertino for piano and orchestra (1957) Op. 2: Concerto for piano and orchestra No. 1 (1961) Op. 3: Variations for piano and big band (1962) Op. 4: Chorale and Fugue for orchestra (1962) Op. 5: Piece for trumpet and orchestra (1962) Op. 6: "Rose-Marie", fantasia for orchestra (1963) Op. 7: Fantasia on three children's songs for ...
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” or Op. 34a, retaining a separate part for piano but featuring solo ...