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Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, presumed to be English and (judging by the costumes) to date from the 1650s. For its period, the painting is considered unusual and "extremely rare" in its depiction of a black woman and a white ...
The style began as part of Neoclassical fashion, reviving styles from Greco-Roman art which showed women wearing loose-fitting rectangular tunics known as peplos which were belted under the bust, providing support for women and a cool, comfortable outfit especially in a warm climate. The empire silhouette was defined by the waistline, which was ...
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
The banana-print shirt, braided leather belt, and white-hot pants stole the Spring 2004 show. This look was a culmination of everything Philo did at the house, creating hot, playful, and joyful ...
Sketch for the final work, signed, 1856 (National Gallery, Prague) Unsigned sketch, 1856 (National Gallery of Australia, Canberra)Young Ladies Beside the Seine (Summer) (French - Les Demoiselles des bords de la Seine (été)) is an oil-on-canvas painting by the French Realist Gustave Courbet, created between late 1856 and early 1857.
Flemish country folk: Men wear tall capotain hats; women wear similar hats or linen headdresses, 1608. English country folk watching Morris dancers and a hobby horse wear broad-brimmed hats. The woman wears a jacket-bodice and contrasting petticoat. Men wear full breeches and doublets, c. 1620.
Camille, also known as The Woman in the Green Dress, is an 1866 oil-on-canvas painting by French artist Claude Monet. The portrait shows Monet's future wife, Camille Doncieux, wearing a green dress and jacket. Monet submitted the work to the Paris Salon of 1866, where it was well-received by critics.
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