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Louis St. Louis (May 26, 1942 – March 26, 2021) [1] was an American songwriter, music arranger and singer, famous for songs written for Grease, particularly the song "Sandy" (co-written with Screamin' Scott Simon), which was a hit in the United Kingdom, peaking at number 2 on the UK Singles chart, [2] and for John Travolta [3] and performing "Rock 'n' Roll Party Queen" and "Mooning" (songs ...
Saint Louis Chamber Chorus; Scene of Irony; The Sharpees; So Many Dynamos; So They Say; Solar Trance; Son Volt; St. Louis Symphony Orchestra; St. Louis Symphony Youth Orchestra; St. Lunatics; Stir (band) Story of the Year; Sullen (band)
East St. Louis, IL Club Manhattan March 29, 1956 St. Louis, MO Masonic Temple St. Louis American Cooking School and Home Show [13] April 9, 1956 Club Riviera: Musicians Dance and Celebrity Night benefit [14] June 8, 1956 Club Bolo The Igoe Guys and Dolls dance promotion [15] August 10, 1956 Laclede Theatre August–September 1956 Latin Quarter
The Muny, or the Municipal Opera Association of St. Louis, Missouri, in the United States, is a not-for-profit municipally-owned outdoor theatre, the largest in the United States. The Theater was built and opened in 1917 with 6 performances of Verdi's Aida .
Mississippi Nights was a music club in St. Louis, Missouri.It opened on October 11, 1976 [2] and was located at 914 N 1st Street, on the western bank of the Mississippi River, four blocks north of the Gateway Arch in Laclede's Landing.
Henry McCullough was the Grease Band's lead guitarist, a role he later occupied in Paul McCartney's Wings, and continued as a solo artist until his death in June 2016. [2] Rowland, Spenner, Hubbard and McCullough all played on the original 1970 recording of Jesus Christ Superstar .
The Canyon High School Band competes in the UIL State Marching Band Championships on Nov. 9, 2022 at the Alamodome in San Antonio. Tuesday, Nov. 5 — Class 1A prelims and finals, 5A finals 9 a.m ...
The soundtrack was released on April 14, 1978, two months ahead of the film's release. [1] As with most musicals of the period, the vocal takes recorded for the album release–and in some cases the instrumental background as well–do not lock to picture but were recorded during entirely different soundtrack sessions often months prior or subsequent to the performances used for lip sync in ...