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The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
The equipment for the techniques also varies from the bulky to the small and convenient. A-B techniques generally use two separate microphone units, often mounted on a bar to define the separation. X-Y microphone capsules can be mounted in one unit, or even on the top of a handheld digital recorder.
In 1990s, Audio-Technica introduced several large-diaphragm condenser microphones for studio use: the AT4033 cardioid microphone in 1991, [1] the AT4050 multi-pattern in 1995, [6] and the AT4060 vacuum tube cardioid microphone in 1998; [7] the AT895, a DSP-controlled five-element microphone array providing adaptive directional audio acquisition ...
A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...
An electret microphone is a microphone whose diaphragm forms a capacitor (historically-termed a condenser) that incorporates an electret. The electret's permanent electric dipole provides a constant charge Q on the capacitor.