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Nahui Ollin symbol with an eye (ixtli) in the center. A solar ray and a precious stone (chalchihuitl) emanate from the eye, Codex Borbonicus (1519–1521) [1] Nahui Ollin is a concept in Aztec/Mexica cosmology with a variety of meanings. Nahui translates to "four" and Ollin translates to "movement" or "motion."
The Mexica/Aztec were said to be guided by their patron war-god Huitzilopochtli, meaning "Left-handed Hummingbird" or "Hummingbird from the South." At an island in Lake Texcoco, they saw an eagle, perched on a nopal cactus, holding a rattlesnake in its talons. This vision fulfilled a prophecy telling them that they should found their new home ...
In Aztec mythology, he is associated with Mercury (the planet that is visible just before sunrise or just after sunset) and healing. Citlalatonac, god of female stars in the Milky Way. Mixcōātl, god of hunting and old god of hurricanes and storms. Mixcoatl is associated with the Milky Way.
Huastec statue of Ometochtli. Rabbit-shaped vessel probably used for containing pulque, the rabbit, and the rabbit deity Ome Tochtli, was a symbol of pulque. In Aztec mythology, Ometochtli (pronounced [oːmetoːtʃtɬi]) is the collective or generic name of various individual deities and supernatural figures associated with pulque (octli), [1] an alcoholic beverage derived from the fermented ...
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
Macuiltochtli (pronounced [makʷiɬtoːtʃtɬi], 'Five Rabbit'; from Classical Nahuatl: macuilli, 'five' + tochtli, 'rabbit') is one of the five deities from Aztec and other central Mexican pre-Columbian mythological traditions who, known collectively as the Ahuiateteo, symbolized excess, over-indulgence and the attendant punishments and consequences thereof.
The sculpture measures approximately 13.1 x 11.8 feet (4 x 3.6 meters) and weighs nearly 12 tons, making it one of the largest Aztec monoliths ever discovered—larger even than the Calendar Stone. The sculpture, carved in a block of pink andesite, presents the goddess in her typical squatting position and is vividly painted in red, white ...
The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [ 5 ]