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The nuckelavee (/ n ʌ k l ɑː ˈ v iː /) or nuckalavee is a horse-like demon from Orcadian folklore that combines equine and human elements. British folklorist Katharine Briggs called it "the nastiest" [1] of all the demons of Scotland's Northern Isles. The nuckelavee's breath was thought to wilt crops and sicken livestock, and the creature ...
1860 engraving depicting the performing horse Marocco. A significant portion of medieval technical literature consists of treatises on veterinary care. [S 11] Arab and Muslim scholars made notable contributions to the knowledge of equine medicine, education, [5] and training, in part due to the contributions of the translator Ibn Akhî Hizâm, who wrote around 895, [6] and Ibn al-Awam, who ...
A good destrier was very costly: at the times of the Crusades, a fine destrier was valued at seven or eight times the cost of an ordinary horse. In England, the specific sum of eighty pounds (in this context a pound was 240 silver pennies, which amounted to one pound of silver by weight [15]) was noted at the end of the thirteenth century.
Arabesque, Blutch's horse in Les Tuniques Bleues, whom he has trained to fall down during battle so he can act as if he is wounded and thus survive the battles. [3] [4] Basashi, from K -Memory of Red-and K -Days of Blue-Billy Boy, in Bamse by Rune Andréasson; Blue Horse and Brown Horse, two programmers from the web comic horse++
Balius (/ ˈ b eɪ l i ə s /; Ancient Greek: Βάλιος, Balios, possibly "dappled") and Xanthus (/ ˈ z æ n θ ə s /; Ancient Greek: Ξάνθος, Xanthos, "blonde") were, according to Greek mythology, two immortal horses, the offspring of the harpy Podarge and the West wind, Zephyrus.
As horses weren't native to the Philippines in the pre-Spanish era, the earliest written records about the tikbalang did not specify horse or animal morphology.. Documents from Spanish friars such as Juan de Plasencia's Customs of the Tagalogs (1589) describe the tikbalang as ghosts and spirits of the forests, associated with the terms multo and bibit.
The fourth Horseman, Death on the Pale Horse. Engraving by Gustave Doré (1865). When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, "Come". I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the ...
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.