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Australian folk music is the traditional music from the large variety of immigrant cultures and those of the original Australian inhabitants. Celtic , English, German and Scandinavian folk traditions predominated in the first wave of European immigrant music.
Australian music's early western history, was a collection of British colonies, Australian folk music and bush ballads, with songs such as "Waltzing Matilda" and The Wild Colonial Boy heavily influenced by Anglo-Celtic traditions, Indeed many bush ballads are based on the works of national poets Henry Lawson and Banjo Patterson.
Download QR code; Print/export ... Ball Park Music songs (9 P) H. Rolf Harris songs (6 P) J. Vance Joy songs (26 P) M. ... Australian folk songs.
Traditional music of the Torres Strait - audio and video highlights from the archives of the celebrated Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) . Released by Skinnyfish Music - recorded in 1960 and 1961, with the support of the Department of Anthropology, Australian National University.
The song has become one of the most frequently recorded Australian compositions of all time and is a standard in Australian folk music. A variety of artists have covered it, ranging from bushbands like Paradiddle to international superstar violinist André Rieu , who included it on his 2008 album Waltzing Matilda .
Warren John Fahey AM (born 3 January 1946) is an Australian folklore collector, cultural historian, author, actor, broadcaster, record and concert producer, visual artist, songwriter, and performer of Australian traditional and related historical music.
They currently consist of 15 members and perform primarily sea shanties and folk music in the English tradition, as well as composing and recording their own music. They came to the attention of media for their rendition of the 1800s folk song " Wellerman ", as the song was popularized on the video sharing social network service TikTok in early ...
As of 2013, the band has released two albums. Both have consisted of either cover songs or poems set to music. The first, Lawson, was a collection of Henry Lawson poems put to music. [1] This marked the first collaboration between John Schumann, Hugh McDonald, and Michael Atkinson since Schumann left Redgum back in 1986.