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In the earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, [27] Europe, and the British colonies. The English Georgian poets and their contemporaries such as A. E. Housman , Walter de la Mare , and Edmund Blunden used the lyric form.
The interplay between the metric "shifts", the stressed syllables and caesuras is an integral part of the poetry. It allows the poet to stress certain words and shape the meaning of the poem. There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters.
One major exception is the fourth verse of the poem For the Fallen by Laurence Binyon, which is often known as The Ode to the Fallen, or simply as The Ode. W.H. Auden also wrote Ode , one of the most popular poems from his earlier career when he lived in London, in opposition to people's ignorance over the reality of war.
The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5]
Some poets chose to write poems specifically for children, often to teach moral lessons. Many poems from that era, like "Toiling Farmers", are still taught to children today. [3] In Europe, written poetry was uncommon before the invention of the printing press. [4] Most children's poetry was still passed down through the oral tradition.
The following are examples of lyricism: Architecture: The Nasir-ol-Molk Mosque may be seen as an example, as well as the Taj Mahal or the Sistine Chapel. Modern examples would be some of the later works of Le Corbusier [6] and Zaha Hadid. [8] Dance: Tchaikovsky's Swan Lake or The Sleeping Beauty exhibit classic lyricism.
Especially through the influence of Horace, Aeolic forms have sometimes been employed in post-Classical poetry. For example, Asclepiads have been used by Sidney and W.H. Auden. Poets in English such as Isaac Watts, William Cowper, Algernon Charles Swinburne, Allen Ginsberg, and James Wright have used the Sapphic stanza.
Alcaeus and Sappho, Attic red-figure calathus, c. 470 BC, Staatliche Antikensammlungen (Inv. 2416). Alcaeus of Mytilene (/ æ l ˈ s iː ə s /; Ancient Greek: Ἀλκαῖος ὁ Μυτιληναῖος, Alkaios ho Mutilēnaios; c. 625/620 – c. 580 BC) [1] [2] was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza.