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The "Overture" was the final piece to be written on the album. [21] Lifeson said 2112 was the first Rush album that "really sounded like Rush". [14] In January 1976, the band entered Toronto Sound Studios to record with their longtime associate Terry Brown assuming his role as producer, operating a Studer 24-track machine.
Rush’s transformative sophomore album Fly by Night, which marked Peart’s arrival in the band, turns 50 on February 14, ... 2112 (1976) In every era of Rush’s career, the band were adept at ...
"A Passage to Bangkok" is a song by Canadian rock band Rush, released in March 1976 by Anthem Records. The song appears on the band's fourth studio album 2112 (1976). [3] With the album's title track comprising the first half of the record, "A Passage to Bangkok" opens the second side of the album (on the original LP and audio cassette).
Rush's fourth album, 2112 (1976), reignited their popularity, becoming their first album to enter the top five of the RPM Top Albums Chart. Their next two albums, A Farewell to Kings (1977) and Hemispheres (1978), were also successful, with the former becoming Rush's first to enter the UK Albums Chart.
2112: 1976 Inspired by A Passage to India by E. M. Forster, the song describes a dreamlike journey around the world in search of marijuana fields, with an allusion to Acapulco Gold. [26] "The Twilight Zone" 2112: 1976 Inspired by The Twilight Zone television anthology series written and hosted by Rod Serling. "Lessons" 2112: 1976
"2112" (pronounced twenty-one twelve) is a song by the Canadian rock band Rush. It was released as a 20-minute song on their 1976 album of the same name and is the longest single song by the band. The overture and the first section, "The Temples of Syrinx", were released as a single.
"2112: Oracle: The Dream" – 1:51 "2112: Soliloquy" – 2:10 "2112: Grand Finale" (Instrumental) – 2:37 "2112" was recorded on June 23, 1997, at the Great Woods Center for the Performing Arts in Mansfield, Massachusetts. Different Stages is the only Rush live album that contains a full performance of the entire "2112" suite.
Unlike the previous albums, 2112 and Caress of Steel, "Xanadu" uses both guitar and synthesizer effects. The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and early 1980s would see the group explore program music more systematically.